My paintings begin with landscape, but they are not intended to describe a particular place. Instead, they explore the memory of land — the quiet shapes of fields, horizons and paths that remain with us long after we have left them.

Working between abstraction and landscape, I reduce forms to their essential structure. Edges soften, colours settle into calm relationships, and the land becomes a series of shifting planes. These fragments suggest the way landscape is experienced: not as a fixed image, but as a collection of impressions, movement, light and time.

Human presence is always implied. Fields, boundaries and altered ground carry the traces of those who have passed through them. The work reflects on this relationship between people and the land — how we shape it, and how it quietly shapes us in return.

Ultimately the paintings are spaces for contemplation, inviting the viewer to pause and reconnect with the subtle rhythms of the natural world.

To hear more about my work listen to Hayden Gallery Podcast interview here

To get in touch regarding sales, gallery representation or just to chat please Contact Bridget